Source: The Vibe 101 Gets A Logo!
Source: The Vibe 101 Gets A Logo!
Over the course, we presented projects which pushed us to express our creativity in a tactile form, bringing concepts to life through layers of fabric, contrasting patterns, colours, materials, accessories, and integrating various elements of negative and positive space, silhouettes and contours. The combination of which aimed to connect with the heart and soul of its intended client. Each concept was backed by a narrative, a source of inspiration, turning a creative vision into reality.
The course challenged my mind. I was forced to think outside the square, to view the world at different angles, to see life through different perspectives. Each project we undertook was designed to engage individuals to see a deeper meaning behind colours, texture, contrast, lines, dots and shapes.
There were many occasions I wanted to quit. I dug deep and I worked my arse off. Slowly, I adjusted to the routine of university life, of lectures, tutorials, homework and assignments. I immersed myself in the world of Frank Lloyd Wright, Frank Gehry, Zaha Hadid, Le Corbusier, Mies Van Der Rohe. I took a trip down the rabbit hole to discover the history behind styles ranging from Art Deco, Gothic, Renaissance, Art Nouveau, Baroque, Victorian, Edwardian, Queen Anne, Arts & Craft movement, Rococo, Neo Classic, Scandinavian genres. I learned that 5 Seconds of Summer was not a new-age, hipster term for a ‘quickie’ horizontal rhumba session. More importantly, world issues centred on Justin Bieber or One Direction according to the tween generation (One who??).
Yep, art and design is not black and white – there’s 50 shades of grey and a rainbow of other hues in between. Even today’s learning environment is a whole new world. Back in the late 90s when I was a pimply faced teenager attending Monash University, e-mail was still in its infancy and Facebook wasn’t even a blip on the radar! We’re talkin’ the days of dial-up, when you stared at the modem as it whirred to connect to the internet. Now I’m faced with terms such as Instagram, Pinterest, Tumbler and blogs. Floppy disks have been replaced by USB sticks and who needs a library of books when Google is at your fingertips?
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However old habits die hard. Despite my age and wisdom, some things just never change. The student lifestyle of two-minute noodles for dinner, leaving assignments to the last minute, staying up till 3am preparing for exams and losing work because your PC crashed – is still a trap for an old goose like myself!
After two years of highs and lows, the course culminated in a class exhibition attended by family, friends, teachers and noted designers and architects within industry. Achieving your dreams was never going to be easy – No guts, no glory. Fortunately the hard work paid off. There were definitely several tantrums, a few meltdowns and a number of sooki la la moments. But I survived. I even surprised myself with the results. I started from scratch with no artistic background, just a pipe dream from my childhood. But you’re never too old to learn something new.
It’s true. I have a style obsession! I have an instinctive flair for all things fabulously chic, whether it’s fashion, photography, art to architecture. I’m a visual person. Comfort and functionality? Blah, blah, blah – boring! But if it’s eye catching, on trend, with a dash of wow, you’ll have me salivating – and I have no shame!
On the flip side, I’m a space cadet with no artistic talent or skill to create my own masterpiece. This applies to interior decorating. I know what I like, but I struggle at pulling together a look that has panache, you know, what the French call a little ‘je ne sais quoi’. Instead, I’m living my designer dreams through the growing number of home makeover programs that I’m highly fixated with.
Where do I begin? Sarah Richardson (Design Inc, Sarah 101, Sarah’s House, Sarah’s Cottage, Room Service), Candice Olson (Divine Design, Candice Tells All), Samantha Pynn (Summer Home), Genevieve Gorder (Dear Genevieve), Jane Lockhart (Colour Confidential), Robert and Cortney Novogratz (9 By Design, Home By Novogratz). I also have to add Shaynna Blaze (Selling Houses Australia, The Block) into the mix for some home grown Aussie talent. Overall, the list is long but distinguished. These people are all visionaries, who bring their ingenuity to life.
Each of their respective programs gives you in depth look into the world of interior design, including the highs and lows of home renovations. With their extensive knowledge and creative talent, they rescue humble abodes from the depths of design distress to breathe new life into any type of home. Using innovative and contemporary solutions, they combine both function and beauty to reveal a room’s true potential. These designers have produced several awe-inspiring room transformations, converting a home from drab to fab, while incorporating the contrasting styles and requirements of their clients to achieve a balanced, cohesive look. No challenge is too big!
Below is an insight into the signature design aesthetic of the creative minds behind some of the most entertaining home makeover programs as screened on the Lifestyle Home network:
If money grew on trees, I’d love to incorporate their design concepts within my own humble abode. I can only dream to have any of these designers weave their magic and transform my home, with its modest décor, to one of sumptuous class and sophistication. I’d love to colour my world with their infinite ingenuity! It won’t happen overnight, but it will happen.
If you’re a devout follower of fashion, there are three key trends being preached by designers and stylists alike this season: Colour Blocking, Peplums and Ruching – these are the hottest looks currently rocking the red carpet and fashion runways, and some of Hollywood’s most glamorous, fashion forward celebrities are a testament to these latest style phenomena.
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If you want to stand out and love a splash of colour in your Spring/Summer ensemble, colour blocking is the way to go. According to Paula Joye (fashion and style columnist for The Age), colour blocking is defined as ‘an outfit made up of ‘blocks’ of solid colour’1. This look is for the confident and the brave, not for the faint hearted – it’s ideal for mixing and matching separate pieces (from tops, jackets, skirts or pants) in vibrant, intense shades. The focus is to combine bold colours on the opposite ends of the colour spectrum, for example, orange and purple, or pink and green (traditionally considered to clash when teamed together).
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If you prefer a more subdued, toned down look, ‘use shades within the same family’, that is, colours closer to each other on the colour wheel for example, blue and purple, or black and grey2. However, don’t go overboard and exude some restraint when choosing your wardrobe; avoid mixing contrasting patterns including spots with stripes, or coordinating floral designs with abstract prints. To do so will result in a major fashion faux pas.
Image Source: realstylenetwork.com/fashion-and-style/2012/02/jennifer-aniston-wows-in-tom-ford-at-wanderlust-premiere/
Peplums are back with a vengeance! Peplums haven’t dominated fashion since the 1980s, when Dynasty, shoulder pads and perms were at the height of their popularity. The growing resurgence of the flouncy flirtatious ruffle around the waistline of a jacket, blouse, dress or skirt has been pushed by the world’s leading designers and is a significant trend strutting down fashion runways.
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According to Anna Byrne of the Herald Sun, the peplum design is ideal for the hourglass silhouette and with the right fit, it is also flattering for women who embrace their curves, as it helps to minimise the waistline3. To accentuate the look, team up your peplum ensemble with a belt, to cinch up the waist and define your sexy hips even further.
Ruching is a perennial style favourite amongst designers and is a look that comes in waves season after season. However, most fashion collections this year have taken the ruching trend and given it a modern twist with softer gathering of pleats and ruffles on skirts and dresses.
The beauty about the ruching technique is that it helps camouflage our muffin tops and the unwanted flab or flaws around the waistline.
Ultimately, regardless of what style trend is strutting down the catwalk, the key is to understand what works for your particular body shape, accentuate your best physical features and feel confident.
Citations on Request
Kate Hudson, Naomi Watts and Paris Hilton sizzled in their gorgeous frocks, while rocking the hottest trend of the season – going Nude!
Kate Hudson made a stunning red carpet appearance at the launch of the 69th Venice Film Festival wearing a gorgeous nude Atelier Versace gown which she teamed with Fabergé jewellery and topped off with an ultra glam Venetian Goddess updo1.
The near-strapless, embroidered lace, figure hugging number accentuated Kate’s shapely curves2. Accompanying Kate to the event was fiancé and Muse frontman, Matthew Bellamy, who rocked a classic tuxedo ensemble with black sunglasses3. The couple is in Italy to promote Kate’s new film, The Reluctant Fundamentalist4.
Australia’s own Naomi Watts also attended the premiere to support her partner, Liev Schreiber, who stars along side Kate in the movie. Naomi took centre stage posing for photographers in a similar nude Marchesa gown, albeit, subtly more demure with lace overlay panels and fishtail detail5.
‘The Reluctant Fundamentalist, based on the novel of the same name by Mohsin Hamid, tells the story of a Pakistani-born high flyer who takes a job at a Wall Street firm but turns his back on the US and returns to his native Lahore after the events of 9/11’6.
‘Kate turns brunette for her role as a photographer named Erica – the primary love interest in the film. Liev, meanwhile, takes on the role of a U.S. reporter in the movie and looked smart in a tuxedo as he posed alongside Naomi’7.
Keeping in line with the nude colour palette was Paris Hilton, who was spotted wearing a willowy beige and white two tone maxi dress8. According to the Daily Mail UK, ‘Paris was the picture of serenity as she glided from her car and through the airport. The heiress cut a stylish figure as she boarded her private jet at LAX, heading for China, covering her flowing blonde locks with a wide brimmed sun hat and donning her trademark dark sunglasses from her own range’9.
Citations on Request
There is a long distinguished list of women who have left an indelible mark on the fashion world with their unique sense of style and sophistication. From a personal perspective, I have narrowed this list down to a small, but acclaimed group of women I refer to as the Fab Five, who were the ultimate ‘It’ girls of their time, but who continue to be admired by future generations. Their signature looks have captivated fashion editors, designers, photographers and stylists alike. Let me introduce to you, in no specific order, The Fab Five:
Grace Kelly was a screen goddess who embodied a regal sophistication. Her magnetism and allure intensified exponentially through her marriage to Prince Ranier of Monaco. Starring in iconic Alfred Hitchcock classics such as Dial M for Murder, Rear Window and To Catch a Thief, Kelly further established her status as Tinseltown elite with her Oscar winning Best Actress performance in Country Girl1.
Her trademark demure look was characterised by classic and willowy silhouettes. ‘She did not flaunt. Even as a star, she would wear figure-hugging evening frocks but avoided overly revealing clothes. The waists were cinched, the skirts often full, the shoulders either bare or wispy with chiffon’2.
‘The leading costume designers of the time, including Edith Head (To Catch a Thief, Rear Window, and Dial M for Murder) and Helen Rose (High Society), played an integral role in developing the ”Grace Kelly Look” that swept across the globe in the mid-1950s’3.
Image Source: http://i.dailymail.co.uk/i/pix/2012/09/15/article-2203606-1505280F000005DC-591_470x581.jpg
Audrey Hepburn first captured the world’s attention with her breakout performance in Roman Holiday, which scored her the Best Actress Oscar4. Subsequent roles in Sabrina, Funny Face, My Fair Lady and Breakfast at Tiffany’s further cemented her status as one of Hollywood’s finest5.
Hepburn was gamine and boyishly slender. Her distinct facial structure, including the square jaw line, high cheekbones and immense doe-like brown eyes, epitomised a waif-like glamour and elfin beauty6.
French designer Givenchy (to whom Audrey would become a muse) was influential in defining her professional and personal style7. Like Grace Kelly, Audrey’s trademark identity can be defined as understated, minimalist but elegant.
In fact, the Givenchy gown worn by Audrey’s character Holly Golightly in Breakfast at Tiffany’s has been voted the greatest outfit of all time, based on a survey conducted by Lovefilm8. In addition, the long white dress, hat and parasol costume Hepburn’s character Eliza Doolittle wore in My Fair Lady came in at number six9.
Marilyn Monroe is regarded as one of Hollywood’s ultimate femme fatales. As a star of Gentlemen Prefer Blondes, How to Marry a Millionaire, Some Like it Hot and The Seven Year Itch, Monroe oozed sexuality with a heady combination of sensual vulnerability.
Marilyn had a flirtatious smile with her pouty voluptuous lips, hypnotic eyes and a curvaceous body to match. However, behind the seductive, sultry, enigmatic façade, was an insecure individual10. Her public persona as the dumb blonde contrasted her true nature as an articulate, well read woman with a sharp wit, which only adds to her complex mystique11.
From a fashion perspective, Monroe preferred figure hugging attire that accentuated her hour-glass silhouette. ‘Her favourite costume designer was William Travilla, who created the iconic white billowing dress of The Seven Year Itch and the pink gown from Gentlemen Prefer Blondes. In a time of Peter Pan collars and poodle skirts, Marilyn’s style was considered risqué for her generation. This was exemplified by her tight dresses and suits, which flattered her shapely body and fitted like a glove’12.
Image Source: vogue.com/868959/style-legend-jacqueline-kennedy-onassiss-looks-from-the-white-house-years-and-beyond/#1
Jacqueline Kennedy-Onassis was literally the First Lady to bring elegance and sophistication to the White House. From the moment John F. Kennedy was sworn in as President of the United States, the “Jackie Look” swept across America, and subsequently the world13.
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Jackie’s statuesque physique stood out along with her streamlined coats, A-Line dresses, pill box hats, white gloves and trademark bouffant hairdo. ‘Oleg Cassini, a foremost fashion designer of the time, made the First Lady one of the best-dressed women in the world’ as the brains behind the “Jackie look”’14.
Image Source: http://www.jfklibrary.org/JFK/Media-Gallery.aspx
In Cassini’s own words, ‘I wanted to dress her cleanly, architecturally, in style. I would use the most sumptuous fabrics in the purest interpretations’15. Her charm and intelligence, only added to her iconic persona. According to Cassini, ‘despite Jackie’s shy public presence and her whispery voice, privately she had a strong personality. Jackie’s taste was very simple – she liked only the very best’16.
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At the height of her popularity, Diana, Princess of Wales, was the epitome of elegance and a jewel in the crown so to speak. Her impeccable poise, sophisticated regal ensembles, combined with her ability to break down barriers between aristocracy and the common man, set her apart from other royal members with their stand-offish formality.
Diana’s style transformation began during her ‘shy Di’ phase and continually evolved through to the final years of her life when she was crowned ‘the People’s Princess’, which reflected her ever increasing self-assurance and growing independence.
During her initial years as a princess, ‘Diana wore sailor tops, lace ruffles and full skirted, frilly taffeta evening gowns, with buckled and bowed shoes and hats with ostrich plumed feathers’17. ‘She chose blouses with piecrust or scalloped collars and flimsy skirts with cardigans or waistcoats’18. To put things in perspective, these garments mirrored the trends of the period, but more importantly, revealed Diana’s innocence and naivety in her new role as a princess.
Image Source: vogue.com/868963/princess-dianas-iconic-style-why-were-still-fascinated-by-her-fashion-today/
As Diana’s confidence bloomed, she took greater risks and became more experimental, making striking and bold fashion choices19. Diana’s wardrobe in her latter years was more daring, while maintaining a demure gracefulness. Furthermore, the heels got higher, clothes got edgier and skirts got shorter, both streamlined and flattering, while emphasising her figure. To further express her individuality, Diana favoured effortless minimal chic, which resonated in well structured and tailored shift dresses and pencil skirts, while gowns accentuated her slender and statuesque physique.
For fifteen years, designer Catherine Walker played a significant role in developing Diana’s style identity20. Catherine understood that clothes were Diana’s mechanism to communicate the highs and lows of her life21. ‘Catherine found new ways for the Princess to win sympathy and support through her choice of clothes’22. ‘Dress by dress, look by look, phase by phase, Diana illustrated the story of her life’23.
The Fab Five were fashion forward trendsetters, who occasionally broke the rules to create their own signature look that reflected their individuality and own personality. Poise, elegance, glamour, classic and timeless beauty are terms synonymous with each of these women. Each still possess something inspirational to women of today, as the French would say – je ne sais quois. A distinct, intangible quality is the source of their enduring appeal. Their ultimate legacy is one of beauty, grace and charm. Even years after their death, we will continue to be captivated by their elusive mystique.
Citation Reference List – On Request
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